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韓流戦略、コンテンツ輸出からパートナー国との「共進化」へ
東国大学のコ・サムソク（고삼석）碩座教授、ZDNet KoreaのコラムでKカルチャー・Kブランド・Kテックの「共進化戦略」を提示…マレーシア・シンガポール・日本・中央アジアへ協力提案が続く
Korea's culture strategy shifts from exporting content to co-evolving with partners
Samseog Ko (고삼석) of Dongguk University lays out a "co-evolution" strategy linking K-Culture, K-Brand and K-Tech in a ZDNet Korea column, then carries it to Malaysia, Singapore, Japan and Central Asia
한류 전략, 콘텐츠 수출에서 파트너 국가와의 공진화로
고삼석 동국대 석좌교수, 지디넷코리아 칼럼서 K-컬처·K-브랜드·K-테크 '공진화 전략' 제시… 말레이시아·싱가포르·일본·중앙아시아로 협력 제안 이어져
アマゾンとユーチューブの広告、7-9月期にそろって伸び鈍化
アマゾンの広告収入は196億ドルで11%増、ユーチューブは112億ドルで9.2%増…アマゾンはプライムデーの移動、ユーチューブは購読が広告より速く成長
Amazon and YouTube ad growth slows in the third quarter
Amazon's ad revenue rose 11% to $19.6bn as Prime Day moved into Q2; YouTube's rose 9.2% to $11.2bn while its subscriptions grew faster than its ads
아마존·유튜브 광고 성장, 3분기 함께 둔화
아마존 광고 196억 달러로 증가율 11%·유튜브 112억 달러로 9.2%… 아마존은 프라임데이 이동, 유튜브는 구독이 광고보다 빠르게 성장
CNN·스크립스 뉴스룸 AI, 도구 선택보다 검증 절차가 먼저
NAB쇼 뉴욕 'AI in the Newsroom' 세션… CNN은 AI가 찾은 문서 문장·녹취 원본까지 사람 검토 의무화, 올해 432개 직무 줄인 스크립스는 “업무·행동 변화 관리 없으면 실패”
CNN・スクリップス、ニュースルームのAIはツール選びより検証手順から
NAB Show New York「AI in the Newsroom」セッション… CNNはAIが示した文書の原文・録音の原本まで人が確認するチェックを義務化、今年432職を削減したスクリップスは「業務と行動の変化を管理しなければ導入は失敗する」
At CNN and Scripps, newsroom AI starts with verification, not tools
At NAB Show New York’s “AI in the Newsroom” session, CNN described a mandatory human review that sends journalists straight to the source line or recording, while Scripps, which has cut 432 positions this year, warned that rollouts fail without managing workflow and behavior change
Hudson AI unveils 'agentic dubbing' at TIFFCOM in Tokyo
The tool tells apart more than 40 characters and has an AI agent check quality; Hudson AI is in talks with a Japanese cable broadcaster on multilingual dubbing, two weeks after its MIPCOM pitch in Cannes
허드슨에이아이, 도쿄 TIFFCOM서 '에이전틱 더빙' 공개
등장인물 40명 이상 구분하고 AI 에이전트가 품질 검수… 일본 케이블 방송사와 다국어 더빙 사업화 논의… 칸 밉컴 이어 미주·유럽·일본으로
Hudson AI pitches AI dubbing for Europe's smaller languages
At a Cannes roundtable on the eve of MIPCOM, the Korean firm demoed drama, animation and live baseball dubbing; European distributors called it “really very high quality,” and Hudson proposed ten-minute Latvian and Polish test dubs
